GC Advocate readers, particularly those steeped in cultural studies, literary theory, political science, and sociology literature are probably very familiar with “star” academics like Cornell West, Henry Louis Gates, Jr., and William Julius Wilson, all hailing from our most venerable...
Iranophobia: The Logic of an Israeli Obsession by Haggai Ram. Stanford University Press (2009).In the context of frequent rhetorical sparring and escalating threats of nuclear destruction, little common ground is said to exist between Israel and Iran. Enmity between the two states is often framed as the product of irreconcilable geopolitical, ideological, and strategic differences. Iran’s support of terrorist organizations that seek Israel’s destruction, the regime’s religious character, and supposedly anti-Semitic leadership all appear to ensure confrontation between the two states.
A New Literary History of America by Greil Marcus and Werner Sollors. Belknap Press (2009).A book as long and as rich as A New Literary History of America cannot have justice done to its many individual essays in the space of a single review. Nevertheless, highlights from the volume fairly leap out every twenty or thirty pages or so, begging especial mention
The Marketplace of Ideas by Louis Menand. W. W. Norton and Company (2010).
The Great American University: Its Rise to Preeminence, Its Indispensable National Role, Why It Must Be Protected by Jonathan R. Cole. Public Affairs (2010).In The Marketplace of Ideas, Menand narrows his emphasis to a set of particular issues, but in the process provides a useful overview of American higher education. The book is organized into three essays examining three particular issues in higher education: 1) the history of the general education curriculum, 2) the logic of academic disciplines and the allure of “interdisciplinarity” as a buzzword in academia, and 3) the politics of professors and the academic labor market.
Medea and its Double by Euripides, adapted and directed by Hyoung-Taek Limb. Presented by Seoul Factory for the Performing Arts and La MaMa ETC Auto Da Fe by Masataka Matsuda, translated by Kameron Steele and Shigeki Mori, directed by Josh Fox with Paul Bargetto. Presented by...
